Recordings of Lennox Berkeley's music
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Dreams and Fancies
Barely half a century ago, the guitar was such a rarity in the concert hall that even an outstanding player like Julian Bream was remarkable as a pioneer as much as for his exceptional technique and musicality. Today, by contrast, the field is richly populated - thanks not only to Bream’s own inspiring example to younger players but also to the vastly increased repertoire, so much of which he also instigated.
Yet even in this new heyday for the instrument, Sean Shibe - whose full album debut here nests among four of those Bream-commissioned works a clutch of Dowland pieces from a previous Elizabethan Golden Age - stands out as a truly uncommon talent. ‘I want to hear his interpretation of Britten’s Nocturnal over and over,’ wrote David Nice in an awed recent concert review. ‘This, for me, is the definitive performance.’ [synopsis by Delphian]
- Sonatina (op. 52 part 1)
Performed by Sean Shibe (guitar)
A British Promenade
- Nocturne (op. 67 part 2)
- Five Herrick Poems (op. 89)
Performed by Michael Bennett (tenor) & Sandrine Chatron (harp)
¡Viva Segovia!
- Quatre pièces
Performed by Roberto Moronn Perez (guitar)
More details of this album...
Twentieth Century Music for Violin & Piano
This issue presents a programme of British works for violin and piano from the first half of the twentieth century. Premieres include Thomas Pitfield's Sonata No. 1 and smaller scale works by C.W. Orr, Cyril Scott, and Percy M. Young. Doreen Carwithen's Sonata is the programme's centrepiece, and works by John Ireland, Lennox Berkeley, Frederick Delius complete the disc.
- Elegy (op. 33 part 2b, Arrangement)
Performed by Fenella Humphrey (violin) & Nathan Williamson (piano)
A Voice from Heaven
Format: CD & Digital downloadLabel: Vivat
Release date: October 2016
Catalogue no: VIVAT113
Available from: Presto Classical
A beautifully themed collection of fourteen of the finest unaccompanied British choral masterpieces of the last 125 years performed by award-winning Choir of The King's Consort.
The fascinating mix of familiar and unfamiliar includes five 'paired' settings: William Harris's classic 1959 'Bring us, O Lord God' partnered by James MacMillan’s 2010 setting of the same words; Herbert Howells' devastatingly poignant 'Take him, earth, for cherishing' (in memory of the slain President Kennedy) juxtaposed with John Tavener’s 2008 response to the same text; 'Justorum animae' ('The souls of the righteous') in versions by Lennox Berkeley, Charles Villiers Stanford and Herbert Murrill; heartfelt settings of 'Drop, drop, slow tears' by Kenneth Leighton and Thomas Hewitt Jones; and Stanford’s beautifully crafted 'I heard a voice from Heaven' coupled with Herbert Howell's exquisite, mystical setting of the same words.
The collection is completed with three impressive single works: Parry’s valedictory 'Lord, let me know mine end', William Harris’s masterwork 'Faire is the Heaven', and a stunningly powerful recording of John Tavener's 'Song for Athene', which sprang to global fame when performed at the funeral of Diana, Princess of Wales.
Recorded in the well-nigh perfect acoustic of St Jude’s Church, London, by the award-winning production team of David Hinitt and Adrian Peacock.
Extensive presentation includes 64 page booklet with authoritative liner note in three languages by conductor Robert King, together with full sung texts and session photographs.
- Justorum animae (op. 60 part 2)
Performed by the Choir of the King's Consort & Robert King (conductor)
Format: CD & Digital download
Format: CD & Digital download
Format: CD
Format: CD & Digital download