Recordings of Lennox Berkeley's music

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Displaying all recordings (11-20 of 228)

Stabat Mater: Sacred Choral Music by Lennox & Michael Berkeley

Stabat Mater: Sacred Choral Music by Lennox & Michael Berkeley album cover
Format: CD
Label: Delphian Records
Release date: July 2016
Catalogue no: DCD34180
Available from: Presto Classical

Lennox Berkeley’s Stabat Mater derives from one of the most fertile and inspired periods of his compositional life. A masterpiece, and until now the last of his major works to go unrecorded, it was written for a concert tour by his close friend Benjamin Britten’s English Opera Group; hence the unusual but effective scoring for six solo voices and twelve instrumentalists. Delphian artists The Marian Consort - with five acclaimed discs of early music to their credit - now show their versatility in a cappella and accompanied music by both Lennox and his son Michael Berkeley. They are partnered in the larger works by the Berkeley Ensemble, whose performances are enriched by their intimate knowledge of these composers’ music. The same can be said of conductor David Wordsworth, who has known and worked with both composers, and who here realises a long-cherished ambition to direct this important addition to the catalogue. (Synopsis by Delphian/Presto Classical)

Performed by the Marian Consort, Berkeley Ensemble & David Wordsworth (conductor)

Edmund Rubbra: The Complete Chamber Music & Songs with Harp

Edmund Rubbra: The Complete Chamber Music & Songs with Harp album cover
Format: CD
Label: Lyrita
Release date: April 2016
Catalogue no: SRCD353

This album comprises the complete chamber music & songs with harp by Edmund Rubbra, plus two other works for solo harp, Berkeley's Nocturne of 1967 and Howells' Prelude No 1 of 1951. The harpist is Danielle Perrett who recalls that the Berkeley piece was written for the brilliant teenage harpist Hannah Francis, and notes that it is a delightful work not often performed,'which is a pity, as it is fully characteristic of the composer'. The Executive Producer of this new disc was Adrian Yardley (a son of Rubbra, and a member of the Berkeley Society), who writes about the Catholic links between Rubbra and Berkeley in the 2016 Berkeley Society Journal. (Synopsis by Tony Scotland)

Performed by Danielle Perrett (harp)

British Harpsichord Music

British Harpsichord Music album cover
Format: 
Label: Naxos
Release date: April 2016
Catalogue no: 8573668

This recording includes Berkeley's two early pieces for harpsichord, written for his friend Vere Pilkington while both were still at Oxford in the 1920s: Mr Pilkington's Toye and For Vere. They are played by the young Welsh harpsichordist, Christopher D. Lewis, who is studying Berkeley's harpsichord music as part of his PhD programme at Southampton University; he writes about this in the 2016 issue of the Berkeley Society Journal. The Berkeley works come in a compilation of modern British harpsichord music, with works by Herbert Howells, John Jeffreys and Gavin Bryars, on Naxos 8573668. (Synopsis by Tony Scotland)

Performed by Christopher Lewis (harpsichord)

The Evening Hour: British Choral Music from the 16th and 20th Centuries

The Evening Hour: British Choral Music from the 16th and 20th Centuries album cover
Format: CD & Digital download
Label: Signum
Release date: February 2016
Catalogue no: SIGCD446

The Choir of Jesus College Cambridge’s new release on Signum blends a selection of ancient and modern works from the 16th and 20th Centuries, all centred on the theme of evening.

Performed by the Choir of Jesus College Cambridge & Mark Wilson (conductor)

Music for Solo Piano and Piano Duet

Music for Solo Piano and Piano Duet album cover
Format: CD
Label: Naxos
Release date: December 2015
Catalogue no: 8.571369

The piano was Lennox Berkeley’s own instrument and his piano works represent a microcosm of his very best compositional talents. Influenced harmonically by French models, his music is suffused with lyricism and subtle harmonies. The Sonata, Op. 20 possesses a particularly haunting beauty in its slow movement, while simple but distinctive melodic and rhythmic ideas permeate the Six Preludes, Op. 23 and Five Short Pieces, Op. 4. The Theme and Variations, Op. 73, recorded here for the first time, offers a favourite Berkeley vehicle for conveying a highly individual and personal language. (Synopsis by Naxos)

Performed by Raphael Terroni (piano) & Norman Beedie (piano)

French Connections

French Connections album cover
Format: CD
Label: Linn Records
Release date: November 2015
Catalogue no: CKD477

The breadth of repertoire on French Connections showcases Ainsley's range, expansive vocal colour, expressive voice and exceptional understanding of text. Accompanying Ainsley is Malcolm Martineau, to whom Heggie's Friendly Persuasions is dedicated.

The American composer pays homage to Poulenc with four imaginative songs, each of which recreates in miniature a transformative friendship in Poulenc's life. In 2008 Ainsley and Martineau gave the world premiere performance of Friendly Persuasions at Wigmore Hall, London.

The recital also includes three works by Poulenc: Fancy, Bleuet and Tel jour telle nuit, a beautifully conceived and shaped cycle; considered Poulenc's greatest vocal work it is reminiscent of the great cycles of a century earlier such as Winterreise or Dichterliebe.

Despite French heritage and fluency in the language Berkeley's friendship with Britten led him to set verse by the English poet, W.H. Auden instead. His Five Poems are some of the best of their kind; a cohesive and satisfying collection, Berkeley perfectly captures both the fanciful and reflective elements of Auden's poetry.

Auden in turn re-introduced Britten to the works of John Donne, which Britten went on to set in his Holy Sonnets; darkly moving and highly demanding, they are among his finest work. (Synopsis by Linn Records)

Performed by Malcolm Martineau (piano) & John Mark Ainsley (tenor)

Chamber Music for Horn, Violin and Piano

Chamber Music for Horn, Violin and Piano album cover
Format: CD
Label: Centaur Records
Release date: October 2015
Catalogue no: CRC 3399

Performed by Bruce Bonnell (horn), Hai-Xin Wu (violin) & Zhihua Tang (piano)

Between the Worlds

Between the Worlds album cover
Format: CD & Digital download
Release date: September 2015
Available from: Amazon USA

First audio CD by German classical guitarist Katrin Endrikat with works by A. Barrios, A.Tansman, J.S.Bach and others. A beautiful selection of original pieces and arranged works for classical guitar.

Performed by Katrin Endrikat (guitar)

Works for String Orchestra

Works for String Orchestra album cover
Format: CD
Label: Lyrita
Release date: July 2015
Catalogue no: REAM1117

"Let us composers, too, remember what Boyd Neel has done for us. Not only has he asked for and used new music but – here's the difference – he has used it many times. If Boyd Neel and his orchestra like and believe in new music, they play it over and over again until the audience get used to it and begin to like it too; not for it a first performance and then the dusty shelf." This heartfelt tribute was written by Benjamin Britten, whose 'Variations on a Theme of Frank Bridge' was written for the Boyd Neel Orchestra and premiered by them at the 1937 Salzburg Festival, thereby cementing the international reputation of both composer and performers. The off-air recording of a BBC Third Programme broadcast from 31 January 1961 featured on this disc offers further evidence of the debt composers working in Britain owed to Neel. (Synopsis by Lyrita)

Performed by the London Chamber Orchestra & Anthony Bernard (conductor)

Guitar Recital by Ekachai Jearakul

Guitar Recital by Ekachai Jearakul album cover
Format: CD & Digital download
Label: Naxos
Release date: June 2015
Catalogue no: 8.573481

In 2014 Ekachai Jearakul became the first Asian guitarist to win the prestigious Guitar Foundation of America International Concert Artist Competition (GFA). Winner of numerous awards and an international artist, he has selected a recital that takes the listener on a journey from the baroque beauties of Weiss through nineteenth-century classics by Mertz and Legnani, concluding with three modern compositions influenced by jazz. (Synopsis by Naxos)

Performed by Ekachai Jearakul (guitar)

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