Recordings of Lennox Berkeley's music
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Lennox Berkeley: Chamber Works for Wind, Strings and Piano
Regis presents a brand new recording of the chamber works of Lennox Berkeley including two world premieres. Regis has had a long association with oboist Sarah Francis (there are six existing recordings in the catalogue) and is delighted to collaborate with her in this project. Sarah discovered the manuscripts for the new works in the Royal College of Music library and they are presented here with other works for similar forces. Extensive liner notes are provided by Berkeley’s biographer, Peter Dickinson. (Synopsis by Regis Records)
- String Trio (op. 19)
- Sonatina (op. 61)
- Oboe Quartet (op. 70)
- Suite
- Trio
Performed by the Tagore String Trio, Michael Dussek (piano), Sarah Francis (oboe) & Judith Fitton (flute)
British Recorder Music
Ross Winters has been committed to the promotion of British recorder music ever since his first London performance at the age of ten. Five of the six works on this ground breaking CD have never been presented in this format before. Bush's 1975 Sonatina is a far more substantial work than its title suggests, and this world première recording will enable you to appreciate to the full its extraordinarily wide ranging expression. The second movement on the tenor recorder will repay several hearings.
Berkeley's Sonatina is now a well established classic of both recorder and flute repertoire. Its slow movement is exquisite and its finale always raises a smile. Establishing the recorder in its rightful position as a participant in modern chamber music alongside other established instruments was a major aim of this recording. The quartets by Berkeley and Cooke are fine examples of beautifully conceived chamber music. The Berkeley has been recorded using flute and piano but never before in its intended version with recorder and harpsichord which we present here. The slow movement of Cooke's quartet is serenely beautiful, and recorder players in particular will relate to the expressive range and vitality of his trio and variations and to the many virtuosic moments in all the pieces. (Synopsis by Meridian Records)
This recording is supported by a grant from the Lennox Berkeley Society.
- Sonatina (op. 13)
- Concertino (op. 49)
Performed by Ross Winters (recorder), Julian Jacobson (harpsichord), Yuka Matsumoto (violin) & Jessica Burroughs (cello)
English String Music
Format: CDLabel: IMP Carlton Classics
Release date: October 2011
Catalogue no: LC 8747
- Serenade (op. 12)
Performed by the English Sinfonia & John Farrer (conductor)
Down by the Salley Gardens
Format: CD & Digital downloadLabel: Harmonia Mundi
Release date: September 2011
Catalogue no: HMC902093
In addition to The Horseman, the first of Berkeley's Five Songs (Walter de la Mare), this programme offers a vivid and varied cross-section of English song, ranging from the Edwardian aesthetic of Quilter and early Vaughan Williams to the intensely expressive style of Howells and Finzi. The Purcell realisations by Britten and Tippett, meanwhile, are products of two great 20th-century composers engaging with their musical heritage. In all these different styles, Bejun Mehta shows the same verbal and vocal mastery that won such acclaim for his debut Handel recital on harmonica mundi. (Synopsis by harmonica mundi)
- Five Songs (op. 26, Walter de la Mare)
Performed by Julius Drake (piano) & Bejun Mehta (counter-tenor)
English Song
Peter Pears’ voice was undoubtedly one of the finest and most distinctive of the twentieth century and here he collaborates with Julian Bream and Benjamin Britten in performances of English song. Repertoire includes works by Ford, Morley, Rosseter, Dowland, Pilkington, Campian, Bridge, Butterworth, Ireland, Moeran, Warlock, Holst, Berkeley, Oldham and Britten. (Synopsis by Heritage Records)
- How Love Came In
Format: CD
Format: CD
Format: CD